Aunque son encantadores y muy listos, los hermanos Baudelaire llevan una vida llena de desgracias e infortunios. Eso me resulto original y divertido. Ellos son muy inteligentes, vivaces e ingeniosos. Todo aquel que la conozca sabe que cuando se ata el pelo con una cinta para que el pelo no la distraiga , su mente va a toda velocidad para crear un nuevo artefacto. Pero logran superar todas las adversidades gracias a su intelecto y que se tienen los unos a los otros.
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Fortunately, Brad Silberling has kept the spirit of the series mostly intact with this film translation.
The children manage to escape, and over the course of the film encounter a kindly snake enthusiast Billy Connolly and an ultra-hypochondriac Meryl Streep , each of whom try to look after the children in their own way. But mostly the Baudelaires look after themselves, each resourceful in their own way--Violet invents contraptions with whatever is at hand, Klaus is a reference desk unto himself, and baby Sunny practices her teething on whatever or whoever is convenient.
The trio share the sort of unique bond that can only come from having survived a long string of misadventures. Olaf pursues them throughout, aided by disguises which he considers brilliant and which fool everyone except, of course, the ever-observant Baudelaires.
Carrey gleefully gnaws the scenery as Olaf, and indeed with such a character he can do no less. Browning and Aiken are quite appealing, but the real scene stealer is Sunny played by twins Kara and Shelby Hoffman. Sunny does not actually speak, but her coos and gurgles are translated via subtitle in a dry and witty manner another inspiration taken from the series. The production design combining the best parts of Tim Burton and Edward Gory creates a fanciful but accessible world which modern inventions like remote car-keys are wielded by characters who dress like they just stepped out of a Victorian melodrama.
But this is kept to a minimum--as Violet herself says, there really is more good than bad here.
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