CRAIG ARMSTRONG GLASGOW LOVE THEME PDF

It was the kind of production nominated for ensemble cast awards, featuring a screenplay that examines romance in contemporary times through several love affairs and marriages that cross nearly every conceivable socio-political boundary. Familiar names carry both the lead roles and cameo appearances throughout the picture, led by crowd and critic favorites Emma Thompson, Liam Neeson, Alan Rickman, Keira Knightley, and Hugh Grant. The soundtrack for the film was also well managed; like all of the Curtis films of this variety, an intelligent combination of classic and contemporary rock songs were licensed for prominent placement in mostly transitional scenes. Unlike the aforementioned Curtis films, though, Love Actually also gave a prominent role for an original score. Read More The twenty minutes of highlighted material that Armstrong provides to Love Actually was so effective, in fact, that its three most engaging themes became a strong accompaniment to the rock songs for the demographic of women most interested in the film and soundtrack.

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It was the kind of production nominated for ensemble cast awards, featuring a screenplay that examines romance in contemporary times through several love affairs and marriages that cross nearly every conceivable socio-political boundary. Familiar names carry both the lead roles and cameo appearances throughout the picture, led by crowd and critic favorites Emma Thompson, Liam Neeson, Alan Rickman, Keira Knightley, and Hugh Grant.

The soundtrack for the film was also well managed; like all of the Curtis films of this variety, an intelligent combination of classic and contemporary rock songs were licensed for prominent placement in mostly transitional scenes. Unlike the aforementioned Curtis films, though, Love Actually also gave a prominent role for an original score. Read More The twenty minutes of highlighted material that Armstrong provides to Love Actually was so effective, in fact, that its three most engaging themes became a strong accompaniment to the rock songs for the demographic of women most interested in the film and soundtrack.

This piano piece is pure Armstrong at his best, devastatingly lovely in a tragic sense, using descending lines much like the love theme for Christian and Satine in Moulin Rouge. With the full statements of these themes occupying roughly seven minutes of running time, the remainder of the score generally reprises these ideas in less obvious incarnations. The full twenty minutes is pleasant even in the most contemplative moments.

The sound quality of the promo is slightly muted compared to the cues presented on the song compilations, but simple volume adjustment can solve most of this problem. The "Glasgow Love Theme" also appeared on a short-printed Armstrong compilation in and a Ghent Film Festival compilation souvenir in The cue "Restaurant Proposal" additionally appears on the latter.

For some collectors, the score for Love Actually will seem insignificant. It is, indeed, a scant lightweight. But its impact on the enjoyable film is more memorable than most others in this genre, earning Armstrong well deserved recognition for working his original music so effectively into environments otherwise dominated by songs.

This is "warm and fuzzy" of the best kind. The maximum rating is 5 stars.

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Love Theme Suite from "Love Actually" - music by Craig Armstrong

Armstrong has a next-level ability to evoke complex and subtle emotions with sound and his work is a reminder of how powerful music can be. Here are ten of his most popular tracks and some stories behind their creation. And that goes back to my early days, when I was doing theatre in Glasgow. I quite often used voice. And the only way of getting good at that is just to do it a lot.

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Glasgow Love Theme - From "Love Actually"

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